Ancient Egyptian mythology includes the story of the conflict between Osiris, god of the afterlife and a symbol of good, with his brother Set, god of the desert, storms, violence, and chaos. Osiris and Set were said to have been born to the sky goddess Nut and the earth god Geb. The struggle between the two brother deities, who symbolised good and evil, is passed on to Osiris’ son Horus, born of his sister-wife Isis, goddess of health, marriage, and wisdom. After Set treacherously kills Osiris, Horus vows to avenge his father’s death and kill his uncle, with the support of his mother. However, vengeance would not be exacted without some homoerotic twists. In his study of sexuality in Ancient Egypt, archaeological researcher Mohamed Gamal states that throughout various stages of the struggle, Set plans to humiliate Horus by having intercourse with him, then scandalizing him in front of the divine court. In some papyri and inscriptions, set appears to be praising Horus’ behind, referring to him intimately and enjoining him to sleep with him. Isis instructed Horus to play along and follow him into bed. However, Horus did not allow Set to ejaculate inside him, instead catching his semen in his hands. Horus at first feigns a reconciliation with his uncle, then accepts an invitation to celebrate at his house. When night falls, Set orders a bed to be made for the both of them, planning to have intercourse with him; indeed, various artifacts affirm that they engaged in sexual intercourse. Set goes to the divine court, with the intention of humiliating Horus and having him exiled. [h2]The Murals and Tombs of Homosexuals[/h2]
A couple of royal servants in the Fifth Dynasty, known as Niankhkhnum and Khnumhotep, were known to be brothers and lovers. It is said that their names translate to “lovers in the worldly life and the afterlife”, and that they served together as the head manicurists in the Palace of the King Nyuserre Ini. A number of Egyptologists and archaeologists believe them to be the first homosexual couple in recorded history, thus concluding that the culture at the time did not preclude homosexual relations. A depiction of the two of them in an intimate stance was found on the walls of their tomb, where they were buried side by side. [h2]Homosexuality in Pharaonic Culture[/h2]
While evidence points to the fact that Ancient Egyptian society was largely accepting of male homosexuality, nonetheless, the receptive partner was viewed as inferior, while the active partner was celebrated and praised for his virility. In the myth of Horus and Set, Horus was not concerned with denying having had intercourse with his uncle, but with denying having been on the receiving end of the act. With the passing of time and the changes in ideology and beliefs, as traced in the artifacts from each era, the disdain for the receptive partner in a homosexual relationship grew. Eventually, Ancient Egyptians began using homophobic phrases in their insults and jokes. Mohamed Gamal supports this theory, stating: “In contemporary Egyptian society, in certain youth circles, particularly those in the tourism and hospitality industries, it is not shameful to admit having engaged in homosexual relations, so long as you are the active partner.” He traces these changes in ideology to the fact that Egypt was the center of a vast empire, thereby coming into contact with a number of different civilizations and cultures, which “perhaps disdained homosexuality, and therefore influenced Egyptian culture in that regard.” This was, of course, compounded by the advent of the Abrahamic faiths, which forbade homosexuality. Yet, despite the existing evidence, Ancient Egyptian history is often distorted to reflect the culture and mores of contemporary Egyptian or Arab society. In many cases, history or archaeology lecturers have considered such representations of homosexuality as offensive to their conceptions of history, thereby attempting to erase large swathes of antiquity.Raseef22 is a not for profit entity. Our focus is on quality journalism. Every contribution to the NasRaseef membership goes directly towards journalism production. We stand independent, not accepting corporate sponsorships, sponsored content or political funding.
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